The latest lit ‘zines & matters of history, race and art
Posted March 3, 2008on:
It’s a new month and close to spring which means new updates from favourite literary websites. The Quarterly Conversation released its Spring issue with major features alongside the usual reviews. I zoomed in on the article about the French author, of course. François Monti reviews the latest from Eric Chevillard, and author who followed in the wake of the Noveau Roman movement and proved that there were still more ways to subvert convention. Monti also assesses the apparently dismal state of French literary criticism where page length, thumb-up-thumb-down analysis dominates. Huh.
Scott Esposito reviews Elizabeth Ladenson’s Dirt for Art’s Sake, one of my more notable non-fiction reads from last year, although I’m a bit disappointed that he didn’t touch on her point that the academy played a role in taming and obscuring of some controversial classics’ objectionable elements. Sam J. Miller does a corrective autopsy on short stories’ alleged corpse, shifting the fatal assessment to the format not the content. And the contributors get to share with us what they consider to be underrated and overrated novels. One dares to put a Borges work in the latter (and I agree with him in regard to the merits of the book’s arrangement). Lee Rourke’s choices were my favourite, although Richard Grayson’s take on Leviticus is amusing. There’s lots more, of course, do go and have a look around.
Open Letters Monthly opens with a header image that reminds me of a Gabriella Dellosso painting. (Creeeeeeepy.) Anyway, OLM‘s March 2008 must be one of the biggest issues they’ve offered so far. I haven’t read even half of the selections yet I can vouch for Adam Golaski’s third installment in his translation of Sir Gawain and the Green Knight. I printed out the first three and handed it over to my English major roommate he took one skim through the pages and had about the same initial reaction I did: “Whoa.” (Include a questioning lilt when you read that.) Sam Sacks chides two debut authors who were absent minded enough to forget that the assumption behind publishing a book is that it will have readers. I own one via the limited free download of Charles Bock’s Beautiful Children which I would have ignored otherwise because of all the hype. Garth Risk Hallberg verifies whether The Last Samurai by Helen DeWitt really was the “cult classic” the publisher’s marketing department said it was and I took a look at whether print reviewers provide the excellence they claim to in a Peer Review for Diary of a Bad Year by J.M. Coetzee. Giles Harvey did a review of the Coetzee too but, lawks, I don’t want to have anything to do with that book for at least a year. (I’m sure it’s a good piece though!.)
Judging by the clicks it received I may not need to point many to Brother Man – Part I an old post I did from last year. Steven Augustine revived the comments section and what ensued was a dialogue on whether writers “of colour”, specifically those of predominant African descent, can or should produce art that leans more towards an “art for art’s sake” ideal. Geoffrey Philp gave a response on his blog: Art for Art’s Sake & the Reggae Aesthetic. Augustine replied in comments.